97 Followers
70 Following
Merle

Merle

Yummah by Sarah Al Shafei

Yummah - Sarah A. Al Shafei

This is not bad by the standards of self-published books, but there isn’t much to recommend it unless you happen to be seeking a book set in Bahrain; it is currently the most popular book on Goodreads (admittedly, an English language-dominated site) set in that country. Titled “Yummah,” a word used in the book to mean “grandmother,” it seems to be the fictionalized life story of the author’s grandmother – a conclusion supported by the fact that toward the end, a favorite granddaughter appears who, like the author, is named Sarah, goes to college in Boston, and moves to Saudi Arabia for marriage.

The book begins sometime in the mid 20th century, and spans the time period from British colonial rule of Bahrain, to the country’s independence in 1971, the First Gulf War, and the beginning of the 20th century. It is narrated by a woman named Khadeeja and focuses on the domestic dramas of her own and her children’s lives. Khadeeja is married off at age 12, loses several people she loves and is abandoned by her otherwise apparently perfect husband as a pregnant mother of eight, but overcomes adversity and sees her children find love and success.

It’s a quick read, and the story moves briskly, covering an entire lifetime in fewer than 200 pages. It does suffer from several drawbacks, however. Khadeeja narrates the story in first person (except for a few brief sections told in third person from someone else’s perspective), and her perspective is not particularly nuanced; she romanticizes child marriage and makes sweeping statements like “in my days the twelve-year-olds were still innocent, their eyes still had their childish sparkle and their hearts were pure as angels’,” or, on the day of Bahrain’s independence, “there wasn’t a single soul on the island of Bahrain who wasn’t happy.”

She’s also a heavily romanticized character herself, with no apparent flaws, and called an angel even by her ex-husband, who is similarly romanticized despite his abandonment of his pregnant wife and eight kids. (I can sympathize with his shame at losing his job and his initial decision to flee, but to never send for them or even send money once he’s back on his feet – when they’re on the verge of eviction and the older kids are leaving school to support the family – did not seem nearly so forgivable to me as it was to every character in this book. That said, my guess is that this book is based on the author’s grandmother’s life, and if this is treated as a great love story in her family, well, at least it’s authentic I suppose.)

Beyond that, there are problems one expects from a self-published book. It appears to have been copyedited by spellcheck, given the number of misused words. For the most part, the author’s English seems fluent, but she struggles with prepositions (Khadeeja is concerned about someone’s “desire in revenge”; a character comments that “life has been cruel on you”), the occasional word is jarring to the English-speaking reader (the dialogue tag “screamed” is overused, including even for a polite greeting at one point), and there are some run-on sentences and some passages which lapse into the present tense although most of the book is in the past tense. Meanwhile, I was never sure whether the seeming expansion of the age gaps between Khadeeja’s children (all nine born within eleven or twelve years) was a continuity error, or whether society really was changing so rapidly that the middle and younger children wind up seeming a full generation younger than their older siblings.

All in all, this was a quick and painless read, especially since my expectations for a self-published book were so low. It’s not one I would recommend on its literary merits, but it’s a perfectly decent choice for those looking for a story set in Bahrain.